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Pillow Comfort







I am browsing through pictures of our women artisans in India. I watch them sewing, embroidering and stitching appliqués on pillows and I am amazed: the things we take for granted. These women are sitting on the floor most of the time, sometimes on dirt outside their homes busy making cushy pillows for us to lounge on. There is a bit of a sad irony in the idea that they cannot enjoy comfortable conditions but are laboring to make us comfortable.


Look at Surekha for example. She sits on the floor in her kitchen sewing. There are no pillows in sight, not even a chair for her to sit on. Her knees are her work table. Or Pinky sitting in an alley embroidering design for a pillow. No chair or even a sidewalk for her to stretch on.
And Archana sitting on the step at the doorway to her home working away.
These women labor 4-5 hours a day without the proper conditions for the precision work they are engaged in. And yet the results are remarkable.


Really changes your idea of comfort, doesn't it? All of a sudden a pillow seems real luxury…
Check out the pillows our humble Indian women artisans created on our site:
http://www.giannafairtrade.com/living-room/decorative-pillows/decorative-patterned-pillows/


p.s.: We just extended our storewide sale on pillows till Nov. 23!








Congratulations Gianna!

It seems very appropriate to follow Gianna's amazing blog post from Laos with some good news: Gianna was nominated for the 2010 WOMAN ENTREPRENEUR OF THE YEAR AWARD offered by the Women's Initiatives Organization. Criteria for Gianna's nomination included:

'-Successful despite the barriers that exist for women business owners

-Exemplify how business ownership and leadership is beneficial for women

-Have a positive impact on local community or the community at large

-Advance business through innovation'.

The Women's Initiatives for Self Employment is a Bay Area non-profit that provides training, access to funding and ongoing support for low income women in the US that want to start and grow a self-sufficient business. When you think about it, that is exactly what Gianna and her team provide for the women artisans they work with in Laos, Thailand and India. Only that these are countries that often don't provide such liberties for women.
Truly a well deserved honor. Rock on Gianna!

Here's the organization's website in case you know a woman you would like to nominate for next year's award:
http://www.womensinitiative.org/emails/WEY_Nominations.html#About



Photos from Laos

Below are some photos taken over the last few days here in Laos. A project I've been spending a good bit of time on is a program working with young women (ages 13 to 25) who've been rescued from the trafficking industry. It's been a very powerful experience meeting with the girls/women.... more on these reflections later. Because of confidentiality's sake, you won't see pictures of the girls here. Instead, I thought I'd share pictures about daily life here in Laos. Enjoy!

Market Ladies in Savannakhet
  
Fresh, live frogs... I hear they're delicious, but I've never tried them.

Fresh water eel and crabs found in the hills.

Live crickets. You can actually hear them munching on the leaves!

Naturally-dyed cotton drying (Jackfruit = Yellow and Indigo = Blue)


Dinner with the lovely Ambassador Marilyn, the Philippines Ambassador to Laos. Back: Lyn & Rey. Front: Gianna & the Ambassador.

A Village Called Nacogdoches

As some of you know, I’ve been away a good bit the past few weeks processing and handling my father’s very serious health issues. Although the gravity of the issues is serious, the silver lining has been the opportunity to spend time with my family in my hometown, a country town in East Texas called Nacogdoches, the Oldest Town in Texas.

At GIANNA, I spend a lot of my time working in villages, and I’m sure if you’re reading this, you’ve read about the various villages and places that I or someone on the G-team has visited. There’s a tendency at times to focus so intently on life abroad that we overlook the beautiful cities and towns here at home… being back home, I realize that Nacogdoches has a very unique, beautiful, and almost village-like quality.

For instance, one morning as I pulled out of our driveway and headed into town, I passed a guy, a random stranger, in a white pick-up truck. He looked at me, smiled a toothy grin, and waved. I smiled and waved back.

Walking into a supermarket, heading into the local gym, or even making trips to Staples, people stopped, asked me about my day, took time to tell me about theirs, invited me to events, and just went out of their way to be helpful and welcoming to the community.

Perhaps these are seemingly inconsequential passings, but these interactions, to me, symbolized what I sometimes overlook—that beautiful “villages” exist here in the US. Much of what I love and truly adore about the communities where we work abroad is the real-ness of life there, the soul-to-soul connection I feel with our artisans and the community in general. This richness though is very much present in towns and communities across the US too.

In a way, it’s been very growthful and grounding to spend time back home and reconnect with my roots.

When you think about it, we all come from villages somewhere.

A Jouney to the East

We set out for the province to visit one of our weavers Nouthong around noon. Taking the local bus, the bus slowed down whenever it approached a village for passengers to hop on. Passengers can stop the bus when there is a food stall or a little convenient store to buy snacks and water. Since it is the rice-farming season now, on the way I saw hectares and hectares of rice fields. Because of the abundant rain, the rice fields are flooded with water and the water glimmered under the blazing sun. After about 4 hours of bus ride we finally arrived at the central bus station of the province. I thought we were nearly at the end of our journey. We were told that the little truck to the village will leave in an hour. An hour got extended to an hour and a half, then to two hours. The reason for the delay was that the driver wanted more people to get on the truck. I later learned from Nouthong’s husband why filling the truck was so important. Nouthong's husband also owns a pick-up truck but he only works 5 times a month because there are too many trucks and too few passengers.

About 6 hours after we started our journey, we finally arrived at Nouthong’s house! Nouthong greeted us with a warm and loving smile. The TV in the living room was on and just like every other Lao household, the TV was turned to a music video channel, playing thai songs with music videos that had very complicated story lines. I always find them entertaining! As dinner time approached, a huge basket of sticky rice was brought out. The main dish for the night was stir-fried buffalo meat with vegetables.

After dinner, Nouthong, my translator Ann and I sat in front of the TV and chatted about random matters while watching a Thai drama that was on. We chitchatted till about 11 o’clock! I asked if I could go to the temple the next morning to give rice to the monks. Instead, Nouthong suggested that we wake up early to go to the morning market. The plan was set, tomorrow morning at 5:30am.

We headed to the bedrooms that were located upstairs. The bedrooms were literally bedrooms in the sense that they were only meant to be a place to sleep. The second floor had three rooms, each about the size of a double-size bed. Since I’m incredibly tall for Lao standard, my feet would be outside of the room if I stretched them!

The next morning I was woken up by Ann. It was still very dim outside and I heard the sound of the drizzling rain. I headed downstairs and Nouthong was already in the kitchen heating up the left over sticky rice.



Ann, me and Nouthong’s husband headed to the market while Nouthong stayed home to prepare for breakfast. At the market, we bought food that we can give to the monks. I was very surprised to find out that Laotian monks are not vegetarians! Nouthong’s husband and Ann were equally surprised when I told them that monks in Taiwan don’t eat meat, eggs, and spices (including hot pepper, garlic, and scallion). At the market they were selling insects for 10,000 kips (around $1) per bowl. I recalled that one of the UN brochures I read a few weeks ago had a section on promoting insect farming in Laos, since insects are a great source of proteins and calcium where food resources are limited.


Ann decided that she wanted to cook something for breakfast. Since it was still chilly around 6am, I sat by the cooking fire with Ann and watched her make papaya salad and again, stir-fried buffalo meat with another vegetable. Nouthong later joined us and started cleaning the insects that we bought, taking out the non-edible bits as we would usually do for fish and meat.


Ann and I decided to join the villagers in a microfinance meeting. There, I was confronted with the challenging reality of implementing a microfinance program. Often times in order to repay for loans, the villagers will go borrow money from an underground money lender that charges even a higher interest rate and end up being in further debt. Or in another case, the villagers make loans from multiple institutions, and end up with a huge loan that they cannot repay. Though there are many successful stories of microfinance, there are definitely problems that high pay-back rates simply do not reveal.

After 3 hours of meeting, we headed back to Nouthong’s house for lunch. In order to make up for the fact that I missed the chance to give food to the monks, Nouthong’s husband and my friend Lot who accompanied Ann and I to Bolikhamxay, brought me to the temple beside their house after lunch.

In the premises of the temple, there was an open space where there were three poles standing, and on each pole there was a flag like cloth attached. I asked Lot what these flags were. He explained that these flags are for people who have passed away. They are meant to be like ladders that will guide the dead on their journey to heaven.


It was time to say goodbye. I left Bolikhamxay with two promises to Nouthong – 1. to send her a copy of the photo that we took together 2. to come back again!

Working With Village Artisans

Many people ask us about why we work with women in villages. There are multiple reasons, but here's the quick answer:

1. Urbanization. What happens very often is that villagers think moving to the city (in Laos, that usually means Vientiane) will mean more work, more jobs, more opportunity. What happens though is that these villagers often don't have the educational background, training, or experience to compete with others in the urban job market. This means their job options are limited, and they're relegated to work as laborers. As cities grow, which we see so vividly throughout India, urban centers grow, cost of living in cities rises, and these groups of former villagers end up living in slums. Thankfully, Laos doesn't have "slums" per se since the country isn't yet as industralized as, say, India or the Philippines, but things are changing quickly.

2. Preserving Culture & Traditions. The handicrafts and products we sell blend traditional motifs with modern design--a fusion. All items are made by hand using centuries-old methods, which keeps these arts alive. For instance, the art of sericulture, or silk creation, is being quickly replaced by using mass-produced synthetic materials. (Don't get me wrong; these have their place too!) We want to preserve these crafts and traditions. They're part of culture, history, tradition, stories. Part of a people. (See some of our other posts about the actual process of sericulture. It's beautiful, breathtaking, and just amazing you can take a handfull of coccoons and end up with a beautiful silk scarf!)

The reasons go on, but the two above are quick ones to ponder.

If you're interested in more information, here's a write-up that shares a bit more insight about what sometimes happens in Lao factories (and to reiterate: none of our products are manufactured in factories; everything is handmade... with love!): http://www.ipsnews.net/news.asp?idnews=49423.

Disclaimer: We are not "purists" in the sense that we discredit and dislike all factory-produced items. Well-run and fairly-managed factories have their place in the global market too... that's just not our calling at GIANNA! ;)

To the wonderful artists I work with!

Recently I was able to meet a very intelligent, independent and artistic gallery owner in Vientiane. Her full time job is an architect but she has recently opened an antique textile shop. Every time I walk into her gallery, I am mesmerized by all the textile pieces, old and new, and just by the calm and peaceful atmosphere of her gallery. For her, textiles are not just normal pieces of cloths used for whatever purpose they have been produced for. Every motif, pattern, and designs on each piece have their own meanings, and together all of these textiles are telling us stories, stories that have been perhaps passed on and on by generations and generations of weavers, stories that together as a whole defines the Lao-Tai people and their culture. I cannot explain how my view of textiles has changed since I heard the gallery owner explain to me each of her collection. It’s as if I’ve been near-sighted all along and have for the first time in my life put on a pair of glasses.

I was surprised to find how many of the pieces in her collection are so creative with combinations of geometric figures, animals, symbols, mystic figures…and so on. Though every piece of textile was woven for its own use, either as a wall hanging, as a bed cloth, or a table runner but they definitely had a deeper meaning than what they were made for. When looking at these pieces, I really wonder, what were the weavers thinking? Was this a way for women to express themselves? Did they have stories that they wanted the future generation to know? Or were they just weaving them as patterns they thought were pretty? Or is this a master conspiracy that was planned by the Lao-Tai ancestors thousands of years ago to pass on some kind of code so that their offspring can decipher one day?

And how do the women perceive weaving nowadays? Is weaving simply a source of income or do they still hold significant cultural values?

One of the favorite pieces of the gallery owner is this huge textile that was woven by a 80 year old women that portrays her depiction of her village. The owner told me “for me, this women is no longer just a weaver, she is expressing an idea through her weaving and she is an artist.”

Although providing a market for lao textile is a great way to maintain the supply of textiles and through which the practice and culture of weaving can be continued. However, it would be very unfortunate if the balance is tipped over and textiles will one day be viewed simply as commodities by both the buyers and the producers and lose the rich meaning they used to embody.

My hope is that every weaver will remain as an artist. An artist in a sense that their pieces still embodies meanings, though they may have different meanings than the pieces produced by their ancestors; it could embody their strong determination to fight against urbanization, it could embody their desire to create better opportunities for them and for their children, it could also be telling the industrialized world to take another look at what kind of perfection and beauty humans, with their own hands and with what’s given to them by their environment, are capable of creating.